Nominations for the 84th Academy Awards this week  painted a wild, confusing, contradictory picture of the Academy.Oscar voters agreed with the critics, giving “The Tree of Life” an unexpected berth in their surprisingly large group of nine Best Picture nominees.

They ignored the critics, putting “Extremely Loud & Incredibly Close” in the lineup as well.

They loved actors playing real characters (Meryl Streep as Margaret Thatcher, Michelle Williams as Marilyn Monroe, Brad Pitt as Billy Beane) -- and they didn’t like actors playing real characters (Leonardo DiCaprio as J. Edgar Hoover).

They went for “The Girl With the Dragon Tattoo” in a big way, giving it five nominations and making Rooney Mara the most surprising entrant in the Best Actress category, but left the film out of the Best Picture lineup.

They liked “The Help” enough to put it in that lineup, but they didn’t like “The Help” enough to give it a single nomination outside the picture and acting fields.

They really loved Martin Scorsese’s “Hugo,” making it the most-nominated film of the year, with 11 – but not one of those 11 came in a category voted on by the Actors Branch, by far the Academy’s biggest.

They shunned Steven Spielberg (no nomination for his animated film “The Adventures of Tintin,” which won the Producers Guild Award three days ago), they loved Steven Spielberg (six nominations for “War Horse,” tied for third among all films), and they shunned Steven Spielberg again (no director nomination).

They gave actors’ actor Gary Oldman the first nomination of his long and celebrated career, but couldn’t find room for actors’ actor Tilda Swinton.

To go from the occasionally ridiculous to the sublime, the Oscar nominations put me in mind of Walt Whitman’s “Song of Myself,” a title Hollywood can surely relate to:
“Do I contradict myself?

Very well then I contradict myself,

(I am large, I contain multitudes.)”
The Academy contained multitudes on Tuesday morning, as epitomized by a nine-film slate of Best Picture nominees that was at least one or two films bigger than most observers had expected.

But with those multitudes of conflicting messages – with a lineup that includes “The Artist” and “War Horse,” “The Tree of Life” and “Extremely Loud,” “The Help” and “Hugo” and “The Descendants” and “Midnight in Paris” and “Moneyball” – have they given us any signs that the first of those films won’t have an easy march to the stage at the end of the show on Feb. 26?

I’ve said in the past that the key to challenging “The Artist” is to find a film that can firmly assume the number-two slot, that can be the go-to vote for Academy members who aren’t enamored with the black-and-white silent film.
 And with its 11 nominations, maybe “Hugo” has become that film – though it’s hard to think it can mount a serious challenge without a single acting nomination.

The other potential challenger, “The Descendants,” wasn’t exactly hurt in its quest to upset “The Artist” – it was recognized in most of the key categories, minus cinematography – but it wasn’t enormously helped, either. (Leaving Shailene Woodley out of the Best Supporting Actress category stings, I’m sure.)

In the animated feature category, meanwhile, voters probably removed the biggest obstacle “Rango” had faced by not nominating “The Adventures of Tintin,” Spielberg’s motion-capture extravaganza and a film that could well have won if the skeptical animators had given it a nomination.

Also a casualty: “Cars 2,” which gives Pixar chief John Lasseter the unpleasant distinction of being the first Pixar director whose film was not nominated for Best Animated Feature during the 10-year existence of the category.

And once again, voters in the Music Branch showed that the branch’s nominating process was hopelessly skewed in favor of songs that are performed onscreen, ignoring a large number of very effective end-credits songs in favour of a paltry two nominees: “Real in Rio” from “Rio” and, thankfully, the year’s best movie song, “Man or Muppet” from “The Muppets.”

And here’s a stat worthy of the Golden Globes: Jason Reitman’s “Young Adult” and Steve McQueen’s “Shame” weren’t nominated for anything.

While a slew of underdogs had their day when Oscar nominations were announced this on Tuesday night there were many snubs as well.

After all the noise Madonna and Elton John made fighting over the Golden Globe for best original song, neither were nominated for an Oscar.

While McCarthy scored a best supporting actress nomination for “Bridesmaids,” star Kristen Wiig was not recognised for an acting award. Completely absent from the nominees list: “J. Edgar” and Leonardo DiCaprio.

“He put on a dress, he kissed a guy and as everyone thought he’d get the nomination,” says Yahoo film critic.
“Melissa McCarthy is a big surprise that she really made it all the way,” she added. “People are very happy about that. Jonah Hill, also, I thought was going to drop off and he made it all the way for ‘Moneyball.’”

Another big snub was “The Adventures of  Tin Tin.” “It was not a good year for Steven Spielberg,” Adams said. “I think within the animation community, they’re turning against CGI. They want it to be like ‘Rango.’”

Also notable was David Fincher  who didn’t get best director for “Girl with the Dragon Tattoo” and Ryan Gosling, who starred in three acclaimed movies last year, was nowhere to be found, nor was his critically acclaimed “Drive” co-star, Albert Brooks. (Agencies)

Add this page to your favorite Social Bookmarking websites